Schwestern tun es selbst

name, is brought back to life through a series of experiments conducted by Godwin, who implants the brain of a socialist prostitute, Bella, into her body. The newly resurrected Victoria, now known as Bella, must navigate her new life as a woman of the upper class, while also dealing with the memories and desires of the prostitute whose brain now resides in her body.

The film explores themes of gender, class, and identity, as Bella grapples with her new existence and the expectations placed upon her by society. She must navigate the complexities of her relationships with Godwin, Max, and the other characters in the film, all while trying to understand her own desires and motivations.

Ultimately, Poor Things is a provocative and thought-provoking film that challenges traditional notions of femininity and power. It raises questions about agency, autonomy, and the ways in which women are often constrained by societal expectations. Through its bold and daring storytelling, the film invites viewers to reconsider their own beliefs and assumptions about gender and identity, and to consider the ways in which women can assert their own agency and autonomy in a world that often seeks to control and limit them

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Sisters Are Doing It For Themselves

Three of the leading Oscar nominees for best picture for 2024 — Barbie, Oppenheimer, and Poor Things — include women in controlling situations that make one wonder if post-postmodern feminism isn’t upon us, and, if so, how did men get so chickenchoked. Not that there’s anything wrong with that. I’m not trying to say anything politically incorrect — I mean, if I got canceled today, at my age, that would be the end of my sorry ass. But something’s not right. It’s time to sort through the signs and haruspicate. For instance, in Oppenheimer two strong women — wife Kitty and mistress Jean Tatlock — are fight over access to Oppie’s schlong. Tatlock, a former student of Oppie’s, and a

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